Oh, this was an unexpected delight last night. The Killing - a cracking Danish thriller just started on BBC4 - slipped into our home last night and looks set to be one of the few things I will make an effort to watch/catch up on.
It was Cloud who spotted it listed in the schedules, and since we do have a penchant for Scandinavian writing/films/TV, we settled in to watch the first two episodes.
For a start, lovely to have a female lead --- BBC4, where is Spiral 3 while I'm on the subject of great female characters? - and I have to admit I'm always a sucker for a thriller with a political backdrop.
So, subject to using catch-up TV where necessary (because my weekends are pretty busy over the coming weeks), I'm going to be watching this. And loving it I think. Proper makes up for having no more Wallander to watch.
Showing posts with label BBC4. Show all posts
Showing posts with label BBC4. Show all posts
Sunday, January 23, 2011
Monday, March 01, 2010
In Praise of the BBC (1): 'minority' and targeted TV channels
The BBC comes in for a lot of flack, and stupidly is taking too much notice of some of it.
So I'd like to praise the BBC.
By way of praising both the BBC4 drama 'On Expenses' and the recent BBC3 season of 'Being Human', I'd like to give some cheers to the BBC for its efforts in trying to accommodate all manner of audiences.
BBC4
Should BBC4 exist? Arguably, BBC2 used to do much of its work in showing foreign and older classic films; broadcasting and creating adventurous arts documentaries; creating challenging new dramas; and broadcasting (live) plays.
For a variety of reasons, BBC2's raison d'etre seems to have changed, with many of these traits now 'sidelined' to BBC4.
Whilst I wish that the programming that had previously been well catered for on terrestrial TV was still so cherished there, I do nevertheless recognise that this is a digital age and the analogue signal is going SOON (some are still not quite dealing with this). Given that digital is here and will soon be ALL THERE IS, we all need to recognise that channels and their purposes are changing.
So, providing someone can clarify for me exactly what BBC2 now IS for, I'm relatively happy to accept BBC4 as the new place where such things happen. I'm less thrilled it has such limited hours of broadcast, and more especially that it recycles - aka repeats - certain of its products so regularly and easily. But I like what it does. 'On Expenses' was typical of the quality of its output: sharp, topical (given the time it takes to make drama, remarkably topical) and with a fabulous cast. Bravo.
BBC3
BBC3 is a more tricky proposition; but, since 'Being Human' is such an astoundingly good programme, it is worth unpicking how and why we probably needed BBC3 to be there to garner this triumphant drama.
In the current round of BBC bashing and potential cuts (save 6Music and the AsianNetwork!), many have cited the pointlessness of BBC3, usually in the same breath as mentioning the words 'lager' 'packets' 'crisps'.
It's an easy target, not least because BBC3 was intentionally developed to attract those 'valuable' audiences of under 25s. And apart from Doctor Who repeats, it's hard to think of much that would appeal outside of that demographic - hell, perhaps even WITHIN that demographic since the BBC patently misunderstands that under 25s are not really watching TV in the way the Corporation has previously recognised.
But then there is 'Being Human'.
'Being Human' is everything that Torchwood (pre-Children of Earth, which rocked) should have consistently been from the start.
It's funny, it's adult, it's violent, it's thoughtful. It has sex and blood and a great soundtrack.
Would BBC1 or 2 have felt able to commission BH? I'm not sure. Interestingly, in seeking to create something that worked for a younger - but still ADULT - audience - it actually came up with something that worked more broadly. Excellent. And there are Doctor Who alumni at the heart of the show, proving further that for all his faults we do still have a lot to thank the RTD era for, not least bringing fantasy TV back in fashion in the UK.
So here I am, praising the BBC for two of its least watched channels. But I still think they deserve recognition, and without both we'd certainly be a lot poorer.
So I'd like to praise the BBC.
By way of praising both the BBC4 drama 'On Expenses' and the recent BBC3 season of 'Being Human', I'd like to give some cheers to the BBC for its efforts in trying to accommodate all manner of audiences.
BBC4
Should BBC4 exist? Arguably, BBC2 used to do much of its work in showing foreign and older classic films; broadcasting and creating adventurous arts documentaries; creating challenging new dramas; and broadcasting (live) plays.
For a variety of reasons, BBC2's raison d'etre seems to have changed, with many of these traits now 'sidelined' to BBC4.
Whilst I wish that the programming that had previously been well catered for on terrestrial TV was still so cherished there, I do nevertheless recognise that this is a digital age and the analogue signal is going SOON (some are still not quite dealing with this). Given that digital is here and will soon be ALL THERE IS, we all need to recognise that channels and their purposes are changing.
So, providing someone can clarify for me exactly what BBC2 now IS for, I'm relatively happy to accept BBC4 as the new place where such things happen. I'm less thrilled it has such limited hours of broadcast, and more especially that it recycles - aka repeats - certain of its products so regularly and easily. But I like what it does. 'On Expenses' was typical of the quality of its output: sharp, topical (given the time it takes to make drama, remarkably topical) and with a fabulous cast. Bravo.
BBC3
BBC3 is a more tricky proposition; but, since 'Being Human' is such an astoundingly good programme, it is worth unpicking how and why we probably needed BBC3 to be there to garner this triumphant drama.
In the current round of BBC bashing and potential cuts (save 6Music and the AsianNetwork!), many have cited the pointlessness of BBC3, usually in the same breath as mentioning the words 'lager' 'packets' 'crisps'.
It's an easy target, not least because BBC3 was intentionally developed to attract those 'valuable' audiences of under 25s. And apart from Doctor Who repeats, it's hard to think of much that would appeal outside of that demographic - hell, perhaps even WITHIN that demographic since the BBC patently misunderstands that under 25s are not really watching TV in the way the Corporation has previously recognised.
But then there is 'Being Human'.
'Being Human' is everything that Torchwood (pre-Children of Earth, which rocked) should have consistently been from the start.
It's funny, it's adult, it's violent, it's thoughtful. It has sex and blood and a great soundtrack.
Would BBC1 or 2 have felt able to commission BH? I'm not sure. Interestingly, in seeking to create something that worked for a younger - but still ADULT - audience - it actually came up with something that worked more broadly. Excellent. And there are Doctor Who alumni at the heart of the show, proving further that for all his faults we do still have a lot to thank the RTD era for, not least bringing fantasy TV back in fashion in the UK.
So here I am, praising the BBC for two of its least watched channels. But I still think they deserve recognition, and without both we'd certainly be a lot poorer.
Wednesday, January 23, 2008
"Today is a lovely day"...: Mark Everett and parallel worlds
Thanks to the wonders of - say it quietly - a moderately well functioning Freeview box, we finally caught up with the absolute gem "Parallel Worlds, parallel lives" - a BBC4 programme on Mark Everett of the Eels and his father, Hugh Everett III, who developed the parallel world theory. As a topic that I love in Science Fiction, and as a musician I have several albums by, this combined the best of all worlds in one show.
Nicely reviewed by doyen Nancy, it was a really charming piece of work. It even drew Cloud away from resolving problems with his laptop for the hour (he spent the first 30 mins in the doorway hovering to leave before saying "fuck it" and sitting down). It was also very watchable by non-scientists. I certainly felt much better informed about physics and quantum mechanics by the end, and that is no mean feat!
If you get chance to see it on a repeat, do watch it.
Nicely reviewed by doyen Nancy, it was a really charming piece of work. It even drew Cloud away from resolving problems with his laptop for the hour (he spent the first 30 mins in the doorway hovering to leave before saying "fuck it" and sitting down). It was also very watchable by non-scientists. I certainly felt much better informed about physics and quantum mechanics by the end, and that is no mean feat!
If you get chance to see it on a repeat, do watch it.
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