JoeinVegas raised a really great point, that sometimes we not only like songs but like specific bits of songs.
Hmm... Well, I'm a sucker for any laughter on tracks (generally unintentional), so I would heartily agree with the Janis Joplin chuckle. I would also proffer the more bittersweet laugh in "Fighting Talk" by Everything But The Girl; and a track from the third Lloyd Cole album, Mainstream (I think "Sean Penn Blues") that also features a chuckle inbetween the verses.
For other classic bits you have to have that wonderful feedback sound at the start of "I Feel Fine" by The Beatles. And I know I keep harping on, but the final harmony at the end of the Beeb version of "To Know Her is To Love Her" by The Beatles always melts my heart.
I also have a profound love for the live version of "Common People" by Pulp that was recorded at Glastonbury '95 (on the Mishapes version of the Mishapes/Sorted for E's and Whizz single): not least because of the way Jarvis exhorts the band to "take it down" - first saying it quietly, and then, when they clearly haven't obeyed, he makes it a real instruction. Oooh, makes me go all dithery!
What else? Anything where strings sweep in, especially in pop. That definitely means the entry of the cello to Michael Andrews' version of "Mad World" from the Donnie Darko soundtrack. Gratuitous use of strings? I'm there for it.
Crescendos also get me in the zone of joy: there's a crackingly prog-rock bit in Orbital's "The Box" (1996 single - I think it's the third section) where it goes very quiet and tinkly - hey, check out my musicological language! - and then very loud, almost like a church organ crashing in. Oh, and talking of organs and crescendos, GodSpeedYouBlackEmperor are the Gods of crescendo.
Better get off. I may try and link these but Cloud calls me for my tea!
7 comments:
The opening bit to 5:15 by The Who and the Drum bit and Guitar Solo of Don't Stop Me Now by Queen does it for me
I am trying very hard not to mention 'Hide in your Shell' by Supertramp...the bit where it all builds up. *blushing*
And yes, the start of 5-15 is tremendous - she says desperately trying to claw back some credibiity.
C&V - you are SOOOO right! I adore el Rufus, but that laugh of his is enough to drive me to distraction! It's just so... creepy?!
Try some of the old (live) Canned Heat cuts - great stuff !
Let me take back something of what I said about el Rufus: perhaps QUIRKY is a better word, out of keeping, and yes a little bit Beavis&Butthead.
But it's an honest laugh and when he's performing live in front of you, it is far more endearing. It's just that recorded it sounds rather freakish!
Oh yeah, and the Dylan laugh on 115th Dream is brilliant. I was trying to think of that last night ("I thought I spied some land...")
So many songs I've never heard of - now where to find them?
Joe = I think that is a plea for better links?
I'll try and address this!
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